PETER HUTCHINSON

Born in London, United Kingdom; lives and works in Provincetown, Massachusetts

EDUCATION

1960 University of Illinois, Bachelor of Fine Arts (painting)

SELECTED SOLO EXHIBITIONS

2015
Highfield Hall Falmouth, MA. Thrown Rope Installation.
2013
Logic of Mountains: 50 Year retrospective, Freight and Volume Gallery
GAD Collections: Paris
2011
"Artissima" Turin, Italy: One man show curated by Gallery P420
2010
DNA Gallery, Provincetown, MA

2009
Peter Hutchinson Retrospective, ARP MUSEUM GERMANY

2005
"Peter Hutchinson: The Early Works 1968-1972", Frederieke Taylor Gallery, New York

2004
"Giant Flower Series", Galerie Blancpain/Stepczynski, Genève
Frederieke Taylor Gallery, New York

2003
"The World as it never was", The Mayor Gallery, London

2002
"Dreamscapes", Lance Fung Gallery, New York
"Botanical Series – International Boogie-Woogie Series – Landscape Series."
Galerie Bugdahn und Kaimer, Düsseldorf

2001
"Roman Empire, etc" Galerie Blancpain/Stepczynski, Genève

2000
"A Birthday Retrospective", Galerie Bugdahn und Kaimer, Düsseldorf

1999
"Land Art, Narrative Art", Galerie Lucien Durand Le Gaillard, Paris

1998
"Utopia", Holly Solomon Gallery, New York City, NY
"Arbeiten der 70er bis 90er Jahre", Kunstverein Ulm, Ulm
"Landscapes", Kunstverein fur die Rheinlande und Westfalen, Düsseldorf(two-person show with Hamish Fulton) (catalog)
"Landscapes", Galeria Helga de Alvear, Madrid, (two-person show with Roland Fischer)
"Landscapes", Galerie Sollertis, Toulouse

1997
"Peter Hutchinson", Damasquine Gallery, Brussels, (catalog)
"Recent Work", Torch Gallery, Amsterdam
"An Alliterative Alphabet", Galerie Bugdahn und Kaimer, Düsseldorf
DNA Gallery, Provincetown, MA

1996
"Landscapes - A Retrospective of Works from 1969 to 1996",
The Mayor Gallery, London
"Mostly Birds but not only…"Galerie Blancpain/Stepczynski, Genève

1995
"Landscapes & Concepts", Torch Gallery, Amsterdam
"Retrospective Exhibition & New Work", Holly Solomon Gallery, New York
"Landscapes & Constructions", Galerie Bugdahn und Kaimer, Düsseldorf

1994
Galerie Blancpain/Stepczynski, Genève
"The Narrative Art of Peter Hutchinson: A Retrospective", (catalog)
Provincetown Art Association and Museum, Provincetown, MA

1993
Galerie Blancpain/Stepczynski, Genève
"Growth Potential", Holly Solomon Gallery, New York
"Recent Works", Galerie Bugdahn und Kaimer, Düsseldorf
"Landscapes", Berta Walker Gallery, Provincetown, MA

1992
"An Alliterative Alphabet", (catalog), 
The Butler Institute of American Art, Youngstown, OH (USA)

1991
"Recent Work - An Alliterative Alphabet",Holly Solomon Gallery, New York
Zoe Gallery, Boston, MA (USA)
"The Alphabet Series", Berta Walker Gallery, Provincetown, MA
(two-person show with James Lechay)

1990
"Photographies & Collages", Galerie Hadrian Thomas, Paris
"Landscapes with Thrown Rope 1980-1990", Hell’s Kitchen Gallery, Provincetown, MA
"New Land Art" “Photographs and Sculpture", John Gibson Gallery, New York, NY

1989
"Large Land Art Photos", Galerie Christine et Isy Brachot, Brussels
"New Land Art", John Gibson Gallery, New York

1988
DAAD Galerie, Berlin (catalog)
"Ruined Thrown Rope", Ruine der Künste, Berlin

1987
"Thrown Rope Sculpture", American Fine Arts, New York,
"Earthworks", John Gibson Gallery, New York, 
"Retrospective", Fine Arts Work Center, Provincetown, MA

1985
"Atlas Mountain Grammar", John Gibson Gallery, New York
"Mountain Grammar II", Yaki Kornblit Gallery, Amsterdam

1984
"Mountain Grammar Series", John Gibson Gallery, New York

1983
"The End of Letters", John Gibson Gallery, New York
"Roman Empire Series", Ohio Arts Gallery, Columbus, OH

1982
"Retrospective", John Gibson Gallery, New York
"Early Works", Gallery A / Harry Ruhé, Amsterdam

1981
Studio d’Arte Canaviello, Milan
"Drawings 1968-1980", John Gibson Gallery, New York

1980
Galerie Catherine Issert, St- Paul-de-Vence

1979
"Year", John Gibson Gallery, New York

1978
"Retrospective", Galerie Hans Mayer, Düsseldorf

1977
Nachts St-Stephan, Vienna
"Drawings and Small Collages", Art in Progress, Munich
Capricorn Gallery, Venice
Gallery Stampa, Basel
"Selected Works 1968-77", John Gibson Gallery, New York
"The Anarchist’s Story", Kunstverein, Wolfsburg
"Narrative Art", Studio d’Arte Canaviello, Rome
"Man’s Condition", Galerie Daniel Templon, Paris
"Small Works & Drawings", Art in Progress Gallery, Munich
"Collected Works", Galerie Nacht St. Stephen, Vienna

1976
"The Anarchist's Story", Art in Progress, Düsseldorf
"Works in Nature", Gallery Arta, Genève
"The Anarchist’s Story", Galerie Daniel Templon, Paris

1975
"The Anarchist’s Story", John Gibson Gallery, New York
"Man’s Condition", Galerie Daniel Templon, Paris

1974
"Alphabet Series", John Gibson Gallery, New York
"Alphabet Series Drawings", Gallery Yaki Kornblit, Amsterdam
"Thrown Rope in Sculpture Garden" , Stedelijk Museum, Amsterdam (catalog)
"Prints & Multiples", Galerie Arges 2, Brussels, 
(two-person show with Dennis Oppenheim)

1973
"Films", Franco Toselli Gallery, Milan
"Anecdotes", John Gibson Gallery, New York
"Narratives", Gallery 20, Amsterdam

1972
"Chess", Galerie René Block, Berlin, (Documentation of Games Played in Gallery)
Galerie Blu, Milan
"Art of Nature", Krefeld Musuem, Krefeld

1971
"Sketch Book & Wall Mold Sculpture", Galerie Fenna de Vries, Rotterdam
"Land Art", Harcus-Krakow Gallery, Boston, MA

1970
"Paricutin Volcano Project", John Gibson Gallery, New York

1969
"Two Ocean Projects", The Museum of Modern Art, New York
"Landscapes (Maquettes and Photo-Collages)", John Gibson Gallery, New York, NY

1967
"Corners and Other Right Angles", A.M. Sachs Gallery, New York

1964
"Collages", Dorothy Iannone Gallery, New York

SELECTED GROUP EXHIBITIONS

2015
Royal Botanical Gardens Toronto. Earth Art. 
Echigo Tsumari Art Triennale, Japan. In collaboration Cai Guo-Quiang (Thrown Rope Installation)

2014
5 x 5 Thrown Rope Installation (33 trees) Washington, DC

2013
ArtLantic: Thrown Rope Installation, Atlantic City
"Jacob’s Ladder" Blancpain Art Contemporain, Geneva Switzerland
Vues d’en haut" Centre Pompidou-Metz, Metz / Frankreich
"Blütenzauber“ Museum Bad Arolsen Museumsverein, Bad Arolsen

2012
Thonon-les-bains France: Chapelle de la visitation
MOCA Los Angeles, The Ends of the Earth

2011
Art Cologne, Germany
DNA Gallery, Provincetown, MA USA: Summer Exhibition
The Last Freedom (Land Art), Koblenz Museum, Germany
Verbeke Foundation, Belgium: Foto Collages
Gallery P420: Bologna Italy, Narrative Art Exhibition (Three-Person Exhibition)

2010
PULSE Contemporary Art Fair; Freight and Volume Gallery

2009
Arte Natura, La Chapelle de la Visitation, Thonon-les-Bains, France
DNA Gallery, Provincetown, MA
"Hearbreak Hotel" Freight Volume Gallery, NYC

2008
Banco de la Republica Museum: Bogata, Columbia
Interfunctionen 1968 - 1975, Freight and Volume Gallery NYC

2007
Blind Spot Benefit: Phillips de Pury and Co. NYC
SACI Benefit: Salander-O'Reilly Gallery NYC
Miami Book Fair, Miami, FL (USA)
Museum Dhondt - Dhaenens Belgium: Collection Dr. Matthys

2006
DNA Gallery, Provincetown, MA
Galerie A/Harry Ruhé, Amsterdam (NL), “Early Works”
Frederieke Taylor Gallery, New York, NY, “Déjà vu”
Museum Morsbroich, Leverkusen (D)
Space B Gallery, New York, NY, “Natural Reaction”

2004
"Behind the Facts", Miró Foundation Barcelona (E) & Serralves Museum, Porto (P)
"Reading", Volume Gallery, New York

2003
"20Ans", Frac Basse-Normandie, Caen (F), Echigo-Tsumari Art Triennial, Japan
"Words", Volume Gallery, New York
"Regarde, il neige (schizogéographie de la vie quotidienne)" Centre National d’Art et du Paysage – Vassivière en Limousin, Ile de Vassivière (F)

2002
City of Düsseldorf (D), Hell-Gruen Sculpture Exhibition
DNA Gallery, Provincetown, MA (USA), 1994-2002"KunstNaturLandschaft - Gärten der Sinne", Kunstsommer 2002, Fürstlich Drehna, Gehren/Niederlaustiz (D)
"Constructing Memory and Space", Fotograpfie Forum International, Frankfurt am Main
"Les années 70 : l’art en cause", CapcMusée d'art Contemporain Entrepôt, Bordeaux (F)
"After the beginning and before the end" (traveling show) Instruction drawings from the Gilbert and Lila Silverman Collection, Detroit.MIT Visual Center, 
Cambridge, MA (USA)
Fine Arts Works Center, Provincetown, MA (USA) Early 70’s Super-8 Films showing
"Paper Works and Works on Paper", It Fits Gallery, Amsterdam (NL),

2001
Arp Museum Rolandseck, Remagen (D), Group Sculpture Exhibition
"Altered Landscape", LFL Gallery, New York
Galerie Blancpain/Stepczynski, Genève (CH)
Galerie Bugdahn und Kaimer, Düsseldorf (D)
"Zwischenraum #4 – Skulpturen und Objekte"
"Zwischenraum #5 – Arbeiten mit Fotographie"
"Coupé-collé vol.1", F.R.A.C. Limousin, Limoges (F) 
"40th Anniversary", John Gibson Gallery, New York
Massachusetts College of Art, The Sandra and David Bakalar Gallery
"Window World" in Association with Blindspot Magazine Issue 17
traveling show: Kansas Center for the Arts
"Shoes or no Shoes?" (catalog), Het Museum voor Schoene Kunsten, Gent (B)

2000
Basel Art Fair (CH), Kunsthalle Plaza, Chimney Piece

1999
"As Far As The Eye Can See" (catalog), Atlanta College of Art Gallery, The Woodruff Arts Center & City Gallery at Chastain, Atlanta, GA
"Works on Paper', Museum of Modern Art, New York
"Zwischenraum: Works on Paper", "Conceptual Art + Land Art 1969-1979" 
Galerie Bugdahn und Kaimer, Düsseldorf (D)
Dia Genese Art Foundation, Köln (D), “drei zu eins”

1999
Begijnhof Museum, Hasselt (B), “In de ban van de ring” curated by Anemie Van Laethem
"Matta-Clark, Hutchinson and Barry: 1969-1979", Galerie Bugdahn und Kaimer, Düsseldorf (D)
"On the Treshold of the Third Millenium", Gallery Aschenbach, Amsterdam (NL),
FRAC Nord-Pas de Calais (F), "Une Histoire parmi d'Autres"
Collection de Michel Poitevin (catalog)
"On the Treshold of the Thrid Millenium", Gallery Aschenbach, Amsterdam (NL), 
"Collages D’hier et D’aujourd’hui", Galerie Lucien Durand Le Gaillard, Paris (F)

1998
"Remix", Holly Solomon Gallery, New York
"The Waking Dream: Psychological Realism in Contemporary Art", 
Castle Gallery, College of New Rochelle, New Rochelle, NY (USA)
Biennale de France, Lyon (F), curated by Harald Szeeman
"Portraits d’extérieur", Galerie Blancpain/Stepczynski, Genève (CH)
FRAC Basse-Normandie – Lycée Salvador Allende, Hérouville-Saint-Clair (F)

1997
"Artists Who Work With Living Plants", Heidelburg (D)
"The Artist's Garden",The Mills Gallery at the Boston Center for the Arts, Boston, MA
"The Nature of Materials", Lance Fung Gallery, New York, NY (USA), 
Biennale d'Art Contemporain de Lyon, Lyon (F)

1996
"Black, Grey & White", Galerie Bugdahn und Kaimer, Düsseldorf (D), 
Bolzano Museum of Fine Arts, Bolzano (I)
"Field and Stream", Monique Knowlton Gallery, New York, NY (USA), 
"Drawing International", Galerie A / Harry Ruhé, Amsterdam (NL), 
"Deuxième Epoque" (catalog), F.R.A.C. Limousin (F),

1995
"Chess Moves", Bangs Street Gallery, Provincetown, MA (USA)

1994
"Grreen", Torch Gallery, Amsterdam (NL), 
"Visceral Response", Curated by Lance Fung Holly Solomon Gallery, New York, NY
"Summer Show", Galerie Bugdahn und Kaimer, Düsseldorf
"Evolution", DNA Gallery, Provincetown, MA

1993
"Windows", Holly Solomon Gallery, New York
"A Place in the Universe", curated by Anne Wilson Lloyd, Higgins Art Gallery, Cape Cod Community College, Hyannis, MA (USA)
St-Etienne Museum (F), "Collection de Vicky Remy" (catalog)
Galerie Bugdahn und Kaimer, Düsseldorf (D)
Berta Walker Gallery, Provincetown, MA (USA), "Collaborations II)

1992
Galerie Bugdahn und Kaimer, Düsseldorf (D)
"Outermost Art – Four Views from Provincetown", curated by Ann Wilson Lloyd,
Bank of Boston Gallery, Boston, MA (USA)

1991
"Attitudes Contre Nature", Centre d' Art Contemporain de Vassivière en Limousin (F)
Holly Solomon Gallery, New York, NY (USA), "Summer Group Exhibition"
Home for Contemporary Theatre and Art, New York, NY (USA), "Home for June"
curated by Erik Oppenheim
F.R.A.C. de Basse-Normandie, Hérouville-Saint-Clair (F), "Extrait d’une Collection"
Los Angeles Art Fair, Zoe Gallery
"New Objects", Fitchburg Musuem, Fitchburg, MA (USA), 
"The Map is not the Territory", Rosenwald-Wolf Gallery, Philadelphia, PA (USA),

1990
"American Express", John Gibson Gallery, New York
Zoe Gallery, Boston, MA (USA), "This Land is our Land"
"Going Fishing – A Tribute to our Industry", Berta Walker Gallery, Provincetown, MA
Amsterdam Art Fair, Galerie A, Amsterdam (NL)
FIAC Art Fair, Paris (F), Holly Solomon Gallery
"Construction in Progress – back in Lodz 1990”, Construction in Progress Association, Berlin (D)

1989
Herter Gallery, University of Massachusetts, Amherst, MA (USA)
"Fantasies, Fables and Fabrications: Photo Work from the 1980's" 
traveling show: Provinciaal Museum voor Moderne Kunst, Ostende (B)
"Words", Tony Shafrazi Gallery, New York
Künstlergärten Weimar, Bauhaus Universität Weimar (D)
Provincetown Art Association and Museum, Provincetown, MA (USA) &
Murray Feldman Gallery, West Hollywood, CA (USA)
"Contemporary Provincetown" curated by Anne Wilson Lloyd
"Landschaft in der Erfahrung", Kölnische Kunstverein, Köln (D)

1988
Akademie der Künste, West Berlin (D), “Balkon mit Facher", Selection of 30 fellows from the 25-year DAAD program, curated by Rudi Fuchs
"Narrative Art - An Exhibition of Twenty-Five Artists", 
Mark Twain Gallery, St-Louis, MO

1987
"Only in America – Thrown Rope: Lifelines" (catalog) Institute of Contemporary Art, Philadelphia, PA (USA)
"Cross Currents in Photography", curated by Andy Grundberg, Los Angeles County Museum of Art, Los Angeles, CA (USA)
"This is not a Photograph: 20 Years of Large Scale Photography 1966-1986", The John and Mable Ringling Museum of Art, Saratosa, FL (USA)
"Narrative, Mon Amour”, curated by Anne Dagbert Galerie Bercovy-Fugier, Paris (F), 
"Early Concepts of the Last Decade", Holly Solomon Gallery, New York, NY (USA), 
"Pop, Minimal, Conceptual, Etc," The Aspen Art Museum, Aspen, CO

1986
"Photomosaics: The Landscape Reconstructed", 
Photographic Resource Center, Boston University, Boston, MA (USA)

1985
"A New Beginning 1968-1978" (catalog), Hudson River Museum, Yonkers, NY (USA), Bard College, Annandale-on-Hudson, NY (USA)
"The Maximal Implications of the Minimal Line"
"Towards an Art-of-Peace Biennale – Finding a Form for Peace"
Kunstverein und Kunsthaus Hamburg, Hamburg (D),

1984
"Photography, New Directions", Provincetown Art Association, Provincetown, MA
"Kunst mit Photographie", Schleswig-Holsteinischer Kunstverein, Kiel (D), 
Basel Art Fair (CH), Hans Mayer Gallery

1983
"Frieden" (traveling exhibition), Kunstverein, Wolfburg (D),

1982
"Beelen de Tekens", De Beyerd Art Center, Breda
"The Destroyed Print", Pratt Manhattan Center Gallery, New York
Basel Art Fair (CH), Hans Mayer Gallery and Issert Gallery
Great Southwest Industrial Park, Atlanta, GA (USA)

1981
"Alternatives in Retrospect" (catalog), The New Museum, New York, NY (USA)
Fine Arts Work Center, Provincetown, MA
"Drawings", John Gibson Gallery, New York
Basel Art Fair (CH), Hans Mayer Gallery

1980
"Drawings: The Pluralistic Decade", Institute of Contemporary Art, Philadelphia, PA
Venice Biennale, The American Pavilion (I) Exhibited: 4-Part Thrown Rope Piece
drawing and flower sculpture installation
"Alphabet Series", Museum fur Gegenwartskunst, Hoffman-LaRoche Foundation Collection, Basel (CH), 
Basel Art Fair (CH), Hans Mayer Gallery and John Gibson Gallery

1979
"Recent Acquisitions "J" from Alphabet Series", Ludwig Collection at the
Wollraf-Richter Museum, Cologne (D)
"New York", Galerie Ursula Shurr, Stuttgart (D)

1979
"Concept, Narrative, Document", Museum of Contemporary Art, Chicago, ILL (USA)
"The Sense of the Self"University of N. Dakota, ND (USA)

1978
Neuberger Museum, Purchase, NY (USA)
"New Ideas", Provincetown Art Association & Museum, Provincetown, MA
"Not Photography” curated by Edit DeAk, Fine Arts Building, New York
Basel Art Fair (CH), Hans Mayer Gallery and John Gibson Gallery

1977
"American Narrative / Story Art: 1967-1977" (traveling exhibition) Museum of Contemporary Art, Houston, TX (USA)
University of California at Berkeley, CA (USA)
Winnipeg Art Gallery – Contemporary Arts Center, Winnipeg, Manitoba (CDA)
New Orleans, University of California at Santa Barbara, Santa Barbara, CA (USA)
"American Narrative / Story Art: 1967-1977", traveling through 1979
"Outside the City Limits", Thorpe Intermedia Gallery, Sparkhill, NY
"Provincetown: A Painter’s Place", Everson Museum, Syracuse, NY (USA)

1976
"Foto e Idea", Civic Museum, Parma
"Narrative Art", Diagramma, Milan
"15", John Gibson Gallery, New York
"Bicentennial Exhibition of Immigrant Artists", Hirshhorn Museum and Sculpture Garden, Washington, DC (USA)
"Photography for Collectors", The Museum of Modern Art, New York
"Narrative", Galerie Daniel Templon, Paris (F),

1975
"Narrative Art", Museo Progressivo d’Arte Contemporaneo, Livorno (I),
"Toys", The Clocktower, New York
"Report from Soho", Grey Art Gallery, New York University, New York
"Word Image Number" (catalog), Sarah Lawrence College Gallery, 
Bronxville, New York, NY (USA)
"Narrative in Contemporary Art", University of Guelph, Ontario (CDA)
"New Media 1", Könsthall, Malmö (S), 
"A Space, A Thousand Words", Royal College of Art, London
"Narrative Art II", Studio d’Arte Canaviello, Rome (I),

1974
"Verbal-Visual 3", John Gibson Gallery, Cologne Art Fair, Cologne (D), 
"Narrative Art", Studio d’Arte Canaviello, Rome (I), 
"Narrative Art" (catalog), Palais des Beaux Arts, Brussels (B), 
“Narrative II”, John Gibson Gallery, New York

1973
“Battimento per l’Imagio”, Torino Museum of Fine Arts, Torino (I), 
“Conceptual Art Group Show”, Kriwin Gallery, Brussels
“Story”, John Gibson Gallery, New York, NY
“Project Vesuvio”, Il Centro, Naples (I)

1972
“Vesuvius Project”, Henry Gallery, Seattle, WA
“Chance Art”, Central Museum, Utrecht (NL)

1971
CAYC, Buenos Aires, Argentina
“Artists at Work”, Finch College Museum, New York, NY
“The Spirit in American Art”, Willard Gallery, New York
“Earth, Air, Fire and Water”, Museum of Fine Arts, Boston, MA

1970
“Hutchinson, Venet, Christo”, John Gibson Gallery, New York
“Performances and Activities”, John Gibson Gallery, New York
“Recorded Activities”, John Gibson Gallery, New York
“Information”, The Museum of Modern Art, New York, NY
“Earth Art”, Parrish Art Museum, Southampton, NY
“Evidence of the Flight of Six Fugitives”, Museum of Contemporary Art, Chicago

1969
“The Artist’s Viewpoint”, Jewish Museum, New York
“Ecological Art”, John Gibson Gallery, New York
“Earth Art”, Galerie Swart, Amsterdam
Ohio University, Columbus, OH
Long Beach Island Foundation, Loveladies, NJ (USA), (catalog: “Letters”)
(sculptures and a box of artists’ letters including Smithson, Sonnier, Lewitt, Morris, Oppenheim, Serra,Glass)

1968
“Sculpture”, Great Southwestern Corporation Park, Atlanta, GA
“Language 1”, Dwan Gallery, New York
“Scale Models and Drawings”, Dwan Gallery, New York

BIBLIOGRAPHY

2002
Les Années 70 – L’art en Cause, Maurice Fréchuret
capcMusée d’art contemporain de Bordeaux
Réunion des musées nationaux, pp. 24, 190, 236, 274
After the Beginning and Before the End – Instruction drawings from the Gilbert and Lila Silverman Collection, Detroit, Gunnar B. Kvaran, Jon Hendricks, Bergen Kunstmuseum (N), Intro by Jan Van der Marck pp. 12-32, 78
Earthworks – Art and the Landscape of the Sixties, Suzaan Boettger
Univ. of California Press, pp. 7, 89-90, 185, 218, 285, plate 7
Artists Land Nature, Mel Gooding, William Furlong, Harry N. Abram Inc. publ.
pp 25, 42-43
Art in America, Dec., Carter Ratcliff, “Images of Elsewhere” pp. 104-105,127

2001
Paysages etc, une Sélection d’Oeuvres dans les Collections du Centre Pompidou, Ville de Guéret (F), Editions Cercle d’Art, pp. 21, 56-59, 97
Welche Landschaft Wollen Wir? Symposium Kunstverein Hasselbach (D), pp. 95-97 “Peter Hutchinsons Geworfene Linien” by Dr. Raimund Stecker

2000
Trans’plant – Living Vegetation in Contemporary Art, Barbara Nemitz, Hatje Court Publishers, p. 10, essay: “Gaining Ground: A Retrospective View of Art in Nature and Nature as Art” by Kim Levin, p. 78
Blind Spot Magazine, Issue Seventeen, Blind Spot Inc. New York, NY (USA)
Skultur – Eine Backstein Intervention, A Brick Intervention, Basel, June toSeptember 2000, p. 15 – essay: “Idee” by Markus Kutter, pp. 38-41, 61, 106
Out of the Box – The Reinvention of Art 1965-1975, Carter Ratcliff
essays pp. 40, 145, 199, 239

1999
Hintern zaum das Paradies – Wandlungen des Gartenbildes, Hermann Glaser
Ars Vivendi Verlag, p. 108
Kunstforum “Das Gartenarchiv” - #146, July-August 1999, p. 87
essay by Dr. Raimund Stecker
Une Histoire parmi d’Autres – 1999/2000, Collection de Michel Poitevin
FRAC Nord-Pas de Calais, p. 37 (catalog)
Daidalos – October #73, Architecture.Art.Culture, Berlin (D)
pp. 6-7, 34-35, 86-87, 66-67

1998
Conceptual Art, Tony Godfrey, Phaidon Press Limited, pp. 138, 238, 319
Land and Environmental Art, Jeffrey Kastner and Brian Wallis
Phaidon Press Limited, pp. 118-119, 237-238
Luz y Fotografia en la Colección Helga de Alvear, Fundación Caja Vital Kutya
p. 11 – essay: “Los Artistas y la Fotografia” by Mariano Navarro
Das Versprechen der Fotografie, DG Bank - Prestel, Frankfurt am Main (D)
p. 182 - essay by Andreas Hapkemeyer

1997
Wachsen Magazine Weimar, Sabine Ondracek p. 18 “Peter Hutchinson – Thrown Ropes”

1996
Photographie: des 20. Jahrhunderts, Museum Ludwig Köln, pp. 282-283
Robert Smithson: The Collected Writings, Jack Flam, pp. 10, 16-17, 24, 81, 382

1996
Foto Text Text Foto, Synthese von Fotografie und Text in der Gegenwartskunst, Frankfurter Kunstverein, Edition Stemmle AG, pp. 17, 33, 72-73
Deuxième Epoque, Frédéric Paul, F.R.A.C. Limousin (F), 1989-1995, pp. 15, 80-81
New Art on Paper 2, The Philadelphia Museum of Art, pp. 7, 82-83

1995
Land Art, Gilles Tiberghien, Princeton Architectural Press, pp. 11, 20-21
Designing the Earth: The Human Impulse to Shape nature, David Bourdon
Harry N. Abrams, New York, NY (USA), p. 220

1994
Grreen, Torch Gallery, Amsterdam (NL) (catalog)
Art in America – April, p. 120 by Nancy Princenthal
Paisajes Contemporáneos, Colección Helga dealvear, p. 70-71
Neun Ausstellungen und Sechs Editionen
Galerie Bugdahn und Kaimer, Düsseldorf (D), p. 10-11, 34-35

1993
Le Grand Atlas de l’Art II, Encyclopedia Universalis France SA, pp. 564-565
Les Limites de l’Art – “La Donation Vicky Remy” – Une Idée de l’Art pendant les Années 70, La Rigueur et la Rupture Musée d’Art Moderne de St-Etienne (F), pp. 9, 72-73

1992
Stern Magazine – 27 Mai 1992, p.156
F.R.A.C. de Basse-Normandie, Fonds Régional d’Art Contemporain (catalog)
The Map is not the Territory, Rosenwald-Wolf Gallery, Philadelphia College of Arts
& Design (USA), “The Map is not the Territory” by Nathan Knobler (catalog)
Columbus – in search of a new tomorrow, Artists United for Nature, Munich (D)

1991
The New Yorker, November 4th, “Review”

1990
Arts Magazine – May, Gretchen Faust, p. 113
Contemporanea, Stefano Chiodo, “Narrative Art”
Art in America, Richard Kalin, “Review”
Boston Herald, January, Nancy Stapen
“Our Land – Artists with Social Consciences”

1989
Uber Zeit, Wolf Kahlen, Ruine des Kunste, Berlin (D)
Intuition - John Gibson, New York NY (USA), Intuition Traveling Show Frankfurt Art Fair Apr. 89, New York June 89, Basel Art Fair June 89,(catalog)
Grafikedition 1, Künstlergärten Weimar (D), (catalog)
Provincetown Artists Cookbook, Chrispopher Busa, Abingdon Press
Cape Cod Art and Antiques, January, Ann Wilson Lloyd
“Conceptualizing Conceptual Art”

1988
Balkon mit Fächer – 25 Jahre, Berliner Künstlerprogramme des DAAD, pp. 58-59

1987
The Village Voice, September, Kim Levin, “Review”
Art Press #14, Paris (F), “Narrative mon Amour”
________, Philippe Dagen, “Des Narratifs très Equivoques”
Arts, December, Henry Martin, “Review”
Philadelphia Enquirer, August 6th, Edward J. Sozanski
“A Bicentennial Look at Sculpture in Public Places”

1986
Art in America, June, Holland Cotter “Review”
Art Presse, Paris (F), A. Dagbert, “Peter Hutchinson” (interview)
This is not a Photograph – Twenty Years of Large-scale Photography 1966-86
The John and Mable Ringling Museum of Art Foundation, Inc., pl. 9, p. 1

1985
Dem Frieden Eine Form Geben, Zugehend auf eine Biennale des Friedens, Art-of peace Biennale Hamburg, Herstellung Druckhaus Hentrich, p. 137

1984
The Art Dealers, Alan Jones, Clarkson Potter Publishers, pp. 208-209
Art in the Land, Alan Sonfist, Dutton Publishers NY, pp. 31-34

1983
Kunst mit Photographie, Rolf H. Krauss, Verlag Frölich & Kaufmann, p. 20
The New York Times, March 4th, Grace Glueck, “Review”
A Synesthetic Journey – a catalog on Laurie Anderson, Janet Kardon
ICA Philadelphia, p. 19

1981
Kunst im 20. Jahrhundert (1975 bis 1981), Städtische Galerie Wolfsburg (D), p. 23
Metronom, Llibres d’Artistas/Artists’ Books, Barcelona (E)

1980
International Herald Tribune, Michael Gibson, “Review”
Skira Annual #6, Valentine Tatransky, p. 34
Drawings – The Pluralist Decade 39th Venice Biennale
Institute of Contemporary Art, University of Pennsylvania, p. 19

1979
La Gabbia sui Piranei, Piergiorgio Firini, Edizioni Studio 46, Turin (I), pp. 131-133
The Village Voice – May 30th, Peter Frank, “Yam What May”
The New York Times – May 18th, Grace Glueck, “Review”
Kollektie de Groot – March/Apr., Groninger Museum, Groningen (NL)
p. 13 (catalog)
Narrative Art – Tommaseo Galleria d’Arte – Dec.79/Jan.80, Trieste (I)
Vincenzo Perna, (catalog)
Concept Narrative Document, Museum of Contemporary Art, Chicago, ILL (USA), 
RecentPhotographic Works from the Morton Neumann Family Collection (catalog)
Narrative Art, Groninger Museum, Groningen (NL)
p.3 “The Labyrinths of Narrative Art” by Antje Von Graevenitz, p. 65-77

1978
Mela #3, Plan for March, “Year”, p. 1
Relation et Relation – Contribution à l’Etude de l’Idée et de l’Attitude RelationnelleYellow Now, p. 151
Lodi al Sole – Il Margine di Liberta’, Museo Civico Comune di Lodi (I), (catalog)
The Museum of Drawers, Kunsthaus Zürich (CH), p. 24, 64

1977
Arts, October, David Bourdon, “Peter Hutchinson”
Artforum, December, Eric Cameron
“Peter Hutchinson: From Earth Art to Story Art”
Art Rite #14, Edit DeAk, “Artists’ Books, Book Review”, p. 29
The Golden Door – Artist-Immigrants of America 1976-1970, Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, pp. 94, 104-105, 373-376
Works from the Collection of Dorothy and Herbert Vogel
University of Michigan Museum of Art (catalog)
Premières Rencontres Internationales d’Art Contemporain 03 23 03
Editions Parachutes, Montréal (CDA), p. 104

1976
Art International, Martin Henry
Studio International, Margaret Sheffield, “Ben, Hutchinson & Dibbets”
Narrative Art, Diagramma/Luciano Inga-Pin, Milano (I)

1975
M.A. Thesis, L. Jaffee, Hunter College, New York, NY (USA)
“Themes in the Art of Peter Hutchinson”
Data, July, Barbara Radice, “Una Lettura non Strutturale”, pp. 81-88
Data, July, Silvana Sinisi, “Linguaggi Paralleli”, pp. 90-108
Harper’s, Tom Wolfe, “The Painted Word”, p. 90
Flash Art - #52-53, p. 30

1975
Big Deal 3, Spring, p. 48
Word Image Number – Sept./Oct., Sarah Lawrence Gallery, (catalog)
New Media, Malmö Konsthall (S), p. 53-55 (catalog)
Flash Art, Milan (I), p. 30
M.A. Thesis: Themes in the Art of Peter Hutchinson, Lenore Jaffee
Hunter College, New York, NY (USA)
The Painted Word, Thomas Wolfe, Farra, Strauss & Giroux, NY

1974
Artforum – September, James Collins, “Review on Narrative II”
New York – October, James Collins, "Story Art"
Arquitetura de Mexico, November, Mathias Goeritz
Kunst Magazine - #2, Margarethe Jochinsen, "Story Art"
Flash Art, Milan (I)
Narrative Art – November, Canaviello Studio d’Arte, Roma (I), (catalog)

1973
Arts – January, Jack Burnham
Artforum – September, James Collins, “Review on Story Art”
Six Years: The Dematerialization of the Art Object from 1966 to 1972
Lucy R. Lippard, University of California Press, pp. 62, 203
Artforum – September, Roberta Smith, Review
Heute Kunst – Issue #1
Arts – September, "Review"
Art Rite, "Diaristic Art"

1972
Beleg 11, Staeditches Museum, Monchen Gladbach
Exhibition Catalog, Van Boymans Museum, Rotterdam (NL)
1971The Year's Art 1969-1970 – Europe and the USA, Michael Dempsey
G.P. Putmans’ Sons, New York, NY (USA), p. 68
Interfunktionen – No. 7, Fritz Heubach
The Village Voice – September 30th, Jonas Meekas, "Film"

1970
The New York Times Magazine – February 1st
Roy Bongartz, "It’s Called Earth Art – or Boulderdash"
Newspaper, John Day, New York, NY (USA)
Interfunktionen – No. 5, Fritz Heubach
Art in America – Jan./Feb.
Jay Jacobs, "The Iceman Cometh – Symptoms of the Seventies"
Saturday Review – April, Katherine Kuh, "Letter to a Nature Lover"
Art International – February
Anthony Robbins, "Peter Hutchinson’s Ecological Art", pp. 52-55
The New York Times – February, Peter Scheldahl, "Breadworks as Earthworks"
Time – June, "Back to Nature"
Newspaper, "Culture Hero"

1970
Les Levine’s Newspaper, "Culture Hero"

1969
The Nation – October 20th, Lawrence Alloway, "Art"
Vogue – September 15th, J. Gruen, "Sea Works, Creative Exploration"
ARTnews- November, William Johnson, "Scuba Sculpture”
The New York Times – November 16th
Hilton Kramer, "Painting Icebergs, Decorating Dune

1969
Arts – November, Anthony Robbins, "Images: Two Ocean Projects"
The New York Times – June 3rd, David Shirey, "Getting Down to Earth"
Arts, C. Silver, "50 Years after 50 Years before"
Artforum – Summer, Emily Wasserman, "Peter Hutchinson"
Art Now – April, vol. 1, No. 4
Saturday Review, April, Katherine Kuh, "Letter to a Nature Lover"

1968
Artforum, Robert Smithson, "Entropy and the New Monuments"
OthersKunste mit Photographie, Rolf H. Krauss, Stuttgart (D)
Künstler für die Natue die Umweltinitiative – Artists for Nature
Hans-Joachim Löwer, DA Verlag das Andere, p. 180

AWARDS/GRANTS

1998 Visiting Artist, Mariposa/Tenerife (S)
1991 Visiting Artist, Ile de Vassivières (F)
1989 Grant from Pollock-Krasner Foundation
1988 Honorarium from DAAD and Artist in Residence Deutscher Akademischer Austauschdienst Berlin (D)
1987 Grant from Adolf & Esther Gottlieb Foundation
1975-1976 Grant from the National Endowment for the Arts
1976 Honorarium from Provincetown Fine Arts Works Center, Provincetown, MA
1971-1972 Honorarium from Aspen Center for Contemporary Art, Aspen, CO (USA)
1966 Grant from Walter Guttman Foundation